5 KOE NO KATACHI (credit: imdb.com) Rekomendasi anime school romantis berikutnya adalah KOE NO KATACHI. Anime ini rilis tahun 2016 silam dengan kisah cinta yang bikin baper. Hanya 1 episode saja, KOE NO KATACHI mengisahkan tentang Nisihimiya Shouko mengalami bullying karena keterbatasannya. Bullying tersebut dilakukan oleh Ishida Shouya hingga Description Official English: INKR, Azuki. The story revolves around Nishimiya Shōko, a grade school student who has impaired hearing. She transfers into a new school, where she is bullied by her classmates, especially Ishida Shouya. It gets to the point where she transfers to another school and as a result, Shōya is ostracized and bullied Filmlayar lebar "Koe no Katachi" yang diangkat dari manga buatan Yoshitoki Oima baru saja ditayangkan pada hari Sabtu lalu. Film ini ditayangkan di 120 bioskop, dan dikonfirmasi mendapatkan 283 juta Yen atau sekitar 3 milyar Rupiah dan menjual 200.000 lembar tiket untuk merebut posisi runner up di box office Jepang. Sebagai perbandingan, film layar lebar K-On! berhasil meraup 316 juta Yen Vay Tiền Nhanh. Yuzuru Nishimiya 西宮 結弦, Nishimiya Yudzuru? is a major character in the Koe no Katachi series. She is the younger sister of Shōko Nishimiya and a third-year junior high school student 9th grade, but rarely attends, instead taking photos with her camera around town. She is also the second daughter of Yaeko Nishimiya and granddaughter of Ito Nishimiya. Biography[] Yuzuru became interested in photography at an early age, fascinated by the camera she received from her grandmother and how it works. Through years of teaching herself, Yuzuru has become a surprisingly good photographer for her age, winning first place in a local photography contest. Though the reason is unclear, Yuzuru stops attending junior high and becomes solely interested in messing around with photography. It’s shown that Yuzuru almost exclusively took photos of dead animals and insects for a majority of the series, which is later revealed to be an attempt to show the gruesomeness of death and dissuade Shōko, who expressed a desire to die when they were younger. After Shōya recovers from his coma, she is given a chance to return to school and decides to take it, not wanting worry her sister anymore. Personality[] On the surface, Yuzuru appears to be rather abrasive, brash, and cold towards people she dislikes or is suspicious of. However, her behavior is actually a defense mechanism to both protect her older sister and hide the more vulnerable and uncertain parts of herself. It’s implied through several interactions that Yuzuru struggles with friendly encounters, finding it hard to open up to people she is unfamiliar with. However, after Shōya begins earning her trust, Yuzuru reveals herself to be a kind and sweet girl who cares deeply about the people close to her. When Yuzuru opens up, she shows a lot of compassion and empathy that fuels her desire to protect her loved ones. Initially, her compassionate nature was exclusive to Shōko, but appears to have extended to Shōya as their bond began to grow over time. Yuzuru struggles with understanding herself, choosing to invest her time into her sister rather than herself. However, the end of the series shows Yuzuru finally beginning to become her own person and allowing her sister to explore who she wants to be. Physical appearance[] Yuzuru is a rather short girl for her age, having a small build and fair skin. She keeps her jet black hair cut short of which the longest part ends at the nape of her neck and then goes back up to the front locks that end on the bridge of her nose. Her androgynous appearance causes her to be mistaken for a boy, a trait she uses to trick Shōya into believing that she is Shōko's boyfriend. List of Appearances[] Volume 02[] Chapter 08 — "Friends?" Chapter 09 — "The Right To Be Here" Chapter 10 — "That's Just Great" Chapter 11 — "That Face" Chapter 12 — "Sis" Chapter 13 — "Struggle" Chapter 14 — "Yuzuru Nishimiya" Volume 03[] Chapter 15 — "Better News" Chapter 18 — "I Don't Care in the Least" Chapter 20 — "Reason" Chapter 21 — "Pretend Friends" Chapter 22 — "I Want to Know" Volume 04[] Chapter 24 — "Change" Chapter 25 — "Just My Imagination" Chapter 26 — "Birds of a Feather" Chapter 27 — "Hate" Chapter 28 — "Reply" Chapter 29 — "Granny" Chapter 30 — "Support" Chapter 31 — "Letter" Chapter 32 — "Gum Syrup" cameo Chapter — "Sisters" Volume 05[] Chapter 34 — "I Don't Want to Go" Chapter 36 — "What I Wanted" Chapter 37 — "Now and Forever" Chapter 38 — "Jumping at Shadows" Chapter 39 — "Just Some Passerby" Chapter 40 — "Pretend Date" Chapter 41 — "Everyone" Chapter 42 — "Fireworks" Volume 06[] Chapter 44 — "Blight" Chapter 45 — "It Was All For Nothing?" Chapter 46 — "Tomohiro Nagatsuka" Chapter 51 — "Shoko Nishimiya" Volume 07[] Chapter 54 — "To You" Chapter 55 — "Homecoming" Chapter 56 — "Going to School" Chapter 57 — "Reunion" Chapter 58 — "Results" Chapter 59 — "The Future" Chapter 60 — "Nobodies" Chapter 61 — "Graduation" Chapter 62 — "A Silent Voice" Hobbies[] Photography Relationships[] Friends[] Shōya Ishida Yuzuru hated Shōya at first, believing his desire to befriend Shōko was purely for self satisfaction. She uses several tactics to prevent Shōya from seeing her sister, including lying about being Shōko’s boyfriend and getting him suspended from school. Yuzuru begins to warm up to Shōya after she runs away from home when she and Shōko get into a fight over Shōya getting suspended. Shōya shows her kindness despite learning she was the one who got him in trouble and the two continue to hang out after that, eventually becoming friends. Their bond continues to grow as Yuzuru and Shōya come to trust each other a lot, with Yuzuru becoming very appreciative of Shōya’s friendship with Shōko and supports the possibility of him dating her sister. When Yuzuru is struggling to cope with her grandmother’s death, Shōya is the one to comfort her and help give her the courage to return to the funeral, further cementing their close bond. After Shōya recovers from his coma, Yuzuru asks him to help her study so can do better now that she’s back in school. Now having a connection similar to an older brother and younger sister, the two are able to confide in each other and come to terms with Shōko wanting to move to Tokyo after graduating. Tomohiro Nagatsuka When they first meet, Yuzuru immediately dislikes Tomohiro due to him being friends with Shōya, a person she initially hated. The two bicker during their first interaction, which causes Shōko to notice that Shōya came back to see her and meet him on the bridge. Even after Yuzuru warms up to Shōya, she still teases Tomohiro, though their banter is playful rather than hostile. Miyoko Sahara Miyoko introduces herself to Yuzuru in Chapter 18 after Yuzuru notices her hanging out with Shōko and Shōya on the bridge. Miyoko’s sincere behavior causes Yuzuru to become bashful, though the two become friends after this interaction. Once Miyoko begins joining everyone on the bridge every week, she and Yuzuru get comfortable around each other and even conversate among themselves while watching Shōko and Shōya interact. Family[] Shōko Nishimiya Yuzuru and Shōko share a very close bond, both sisters caring deeply and wanting the best for each other. For a long time, Yuzuru has acted as Shōko’s self-imposed protector despite being the younger sibling. She has no issues lying or retaliating against others if it means protecting Shōko, though this can sometimes go against her sister’s wishes. Much like other siblings, they are prone to getting mad at each other and arguing, a key example being Shōko’s anger at Yuzuru when she got Shōya suspended from school. Despite this, Yuzuru still does her best to look out for her older sister, perhaps not fully realizing that Shōko is capable of taking care of herself and is looking out for her as well. After Shōko begins to recover from her depression and feelings of self-loathing, she heavily considers moving to Tokyo in pursuit of her dream of becoming a hairdresser. Though Yuzuru is uneasy and sad at the thought of her sister moving so far away, she’s grateful that her sister is thinking about her own future and wants to give her the chance to be happy, especially after Shōko gave her the chance to give school another shot and begin being her own person. Yuzuru is also surprisingly supportive of Shōko’s feelings for Shōya and the idea of them dating, helping her sister practice speaking aloud so can use her voice to confess. Yaeko Nishimiya Yaeko is Yuzuru and Shōko’s mother, though she has a rather distant relationship with both of them. Yuzuru believes her mother is aloof and uncaring, especially with her. However, this belief stems from a lack of understanding despite how similarly the two deal with their emotions, something Ito Nishimiya points out in the letter she wrote to Yuzuru before passing away. In truth, Yaeko loves both of her children deeply but has created an emotional barrier due to her own struggles as a single mother. Yuzuru is unaware of this for a long time due to young age, instead growing to resent her mother. The two grow closer after Ito dies and Shōko attempts to take her own life, with Yaeko beginning to act more motherly despite still being reserved and Yuzuru finally beginning to understand her mother. Ito Nishimiya † Ito took care of both Yuzuru and Shōko while Yaeko worked to provide for them, causing both girls to become very close with their grandmother. To Yuzuru, Ito understood her more than Yaeko could and was the only person besides Shōko that she cared deeply about for most of her life. However, Yuzuru’s heavy investment in Shōko caused Ito to worry that her granddaughter was neglecting herself. In their final conversation together, Ito tells Yuzuru she should try to learn more about herself, something Yuzuru seems to take to heart after her passing. Etymology[] The name Yuzuru means "to tie" 結 yu and "string" 弦 zuru. Yuzuru's surname Nishimiya means "west" 西 nishi and "temple, shrine, palace" 宮 miya. Trivia[] Yuzuru's camera looks exactly like the Nikon D3300, and the lens was Nikkor 55-250mm VR Yuzuru was deliberately given a masculine name, and was raised as a boy by their mother, so as to supposedly protect and defend their older sister, Shoko. In the Japanese language, the first name 'Yuzuru' is masculine, and means to yield to or give up possession of one's rights or heritage. Yuzuru was forced to give up her femininity, making the name so appropriate. Uma obra sobre arrependimentos e redenção Aviso O TEXTO CONTÉM SPOILERS LEVES DA OBRA. Autor Yoshitoki Oima Volumes 7 Status Completo Gênero Shounen, romance, drama, slice of life, vida escolar Sinopse “Quando era mais novo, Shoya Ishida liderou sua classe em um bullying a uma garota surda. Mas não durou muito e a classe trocou de alvo, da garota para ele. Após ser isolado e entender o que a garota passou, ele começou a sentir uma forte culpa por tudo que fez. Anos depois, ele deseja poder encontrar a garota novamente.”Roubei a sinopse do Marco porque estava tenso achar uma decente V Análise Koe no Katachi é uma história sobre arrependimentos, redenção e amadurecimento, mas principalmente sobre a compreensão e aceitação do próximo e suas diferenças. Além disso, é uma das poucas obras que eu li, que têm como protagonista uma deficiente auditiva. Em seus primeiros capítulos o mangá já aborda o bullying e suas consequências, com as figuras principais de Shoya e Shouko. Inicialmente os eventos são narrados principalmente na visão de Shoya, o protagonista masculino, sendo interessante a autora optar pelo ponto de vista dele. A maioria das obras com essa temática costumam escolher a narrativa pelo ponto de vista de quem sofre a agressão, não do agressor. Contudo, mesmo tendo o ponto de vista do jovem como base, a autora também consegue focar nas várias personagens que vai desenvolvendo ao longo da história. Quem não quis socar o Shoya, que atire a primeira pedra. O mangá também não aborda o bullying de forma banal. Ele não é um elemento citado no começo, mas esquecido no meio do enredo. As ações tomadas pelas personagens no passado ainda repercutem no presente. Um exemplo é o trauma, vergonha e medo de Shoya, que o tornam uma pessoa depressiva e que se isola de todos a sua volta, chegando ao ponto de pensar em suicidar-se. A história também repassa de forma eficiente as dificuldades de aceitação e adaptação de pessoas deficientes na sociedade, aspecto que pode ser observado no modo como os colegas de Shouko reagem à sua surdez e a forma que ela é tratada, como um fardo por seus professores do primário. Shoya também sofre um amadurecimento progressivo em seu caráter como ser humano. Este desenvolvimento já se inicia nos primeiros capítulos do mangá quando Shouko é transferida e o garoto passa a ter uma percepção diferente da que possuía no começo. Enquanto Shouko, a protagonista feminina, não se comunica com o leitor através de diálogos diretos, mas transmite seus sentimentos através de expressões faciais, olhar e linguagem de sinais, recursos que são bem explorados pela mangaká. Ela também possui conflitos internos que são muitas vezes disfarçados com seu sorriso de fachada. Na segunda parte da obra podemos perceber as consequências de sua não aceitação e visão de que ela era um problema, em seu aspecto psicológico. A linguagem de sinais é um recurso bem utilizado no mangá O relacionamento dos protagonistas é bonito, elegante e delicado. Contudo, embora tornem-se figuras importantes um para o outro, a comunicação entre os dois é cheia de “ruídos”, que são “sanados” no final da história, com ambos compreendendo a voz um do outro. As personagens secundárias também são interessantes por serem realmente diferentes umas das outras, tendo até um personagem que contrasta com o protagonista porque era seu exato oposto no primário. Mas a visão delas é mais abordada na segunda parte da obra. A arte do mangá não é surpreendente. Gosto mais do traço de mangakás como Adachitoka Noragami e ‎Io Sakisaka Ao Haru Ride, mas não é um traço ruim, é apenas um traço mais simples e rústico, sendo que prefiro os mais modernos e detalhados. Basicamente é uma arte agradável de ler e que satisfaz o leitor, mas nada além disso. No entanto, apesar de gostar da obra, não posso dizer que ela é perfeita. A história tem alguns aspectos que não me agradaram tanto. O romance, inserido com descuido entre os protagonistas, não é trabalhado de forma satisfatória. Mesmo o romance não sendo o foco da obra, após inseri-lo, é dever do autor desenvolvê-lo para os leitores. Mas no caso de Koe no Katachi, Yoshitoki, deixou sua conclusão muito subjetiva. Se ela não quisesse desenvolver romance na obra, não deveria colocar tantos indicativos dele no enredo, como o capitulo de confissão de Shouko e as indiretas da irmã da personagem. Além disso, achei o artifício para a resolução dos problemas inseridos na segunda parte, um tanto que forçado. Os personagens secundários também são um pouco esquecidos no capitulo final. O que para mim torna-se uma falha no enredo. [showhide type=”1″ more_text=”Clique aqui para ler o spoiler” ] A tentativa de suicídio realmente era o único caminho a ser tomado? Nagatsuka continua com os planos de ser cineasta? Machiba vai seguir com o plano de ser professor? A autora cria essas perguntas no meio da narrativa, mas não dá as respostas para resolvê-las. O dramalhão no hospital também não me agradou. Precisava de toda aquela cena para que Ueno e Shouko transmitissem seus sentimentos? Também precisava de uma tentativa de suicídio para os problemas serem trabalhados e resolvidos de forma conclusiva? São alguns pontos que fiquei ponderando na segunda parte da obra. [/showhide] Conclusão Eu achei a obra muito bonita e a recomendo sem medo. Contudo, ela tem falhas e peca na segunda parte, principalmente com o final, que é satisfatório, mas bem mediano. Também gostaria que a autora tivesse desenvolvido o romance entre os protagonistas e não o deixasse tão subjetivo. Também queria um desfecho adequado para as personagens secundárias. Lembrete A obra terá um filme adaptado pela Kyoto Animation, com o qual espero que os problemas citados sejam sanados. Curiosidade A LIBRAS é a segunda língua oficial do Brasil. Se o governo brasileiro realmente se interessasse por políticas de inclusão e ensinasse a língua nas escolas públicas, todos seríamos bilíngues. [yasr_overall_rating] Alternative TitlesSynonyms The Shape of Voice Japanese 聲の形 English A Silent Voice German A Silent Voice Spanish Una Voz Silenciosa French A Silent Voice More titlesInformation Episodes 1 Status Finished Airing Aired Sep 17, 2016 Source Manga Duration 2 hr. 10 min. Rating PG-13 - Teens 13 or older Statistics Score scored by 1,522,151 users Ranked 1722 based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded. Popularity 19 Members 2,191,497 Favorites 83,265 Available AtResources Streaming Platforms

nama karakter koe no katachi